Theres a subtle feeling to Marseille. The colors of it are pale and bright - bleached ivory; pink like an ancient dress that's lifted from a trunk all brittle and camphory; pale cornflower; and a tender Easter icing color for some of the shutters, not quite cyan, not quite sea-green. There's something gaunt and forbidding about it, but also a certain feeling I've found in certain poems - say, the last stanza of Louise Bogan's Song for the Last Act. I liked it, and I'd definitely go back. When I was arranging the trip, I read a lot of sources that said it wasn't safe, was full of angry Muslim immigrants, etc. But our experience was good. We were just passing through to Lourdes, but we wished we could have stayed longer.
Note: If you want a really scary French city, try Toulouse. We had to wait there for several hours coming back from Lourdes, and we decided to go and venerate Thomas Aquinas's relics. The poor guy is buried in a desecrated Gothic church known as the "Convent les Jacobins" (!) which was stolen and gutted during the Revolution and gingerly patched up at a later date. It's pretty much a museum. We crawled under a rope and touched our rosaries to St. Thomas' golden casket, and then prayed for our college. We came back through a boisterous rally for Saddam Husein, which involved a large circle of young Muslim men singing loudly, holding banners, and pumping their fists in the air while all the women in their headscarves stood silently to one side. Oddly enough, I got more crap from boorish males in ten minutes there than I did the whole time I was in Italy. If you are a woman, don't be seen outside there, alone, unless you want to be very annoyed.
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On Sept 20th at St. Margaret Mary's in Oakland I will be giving a lecture on the French Symbolists and nineteenth century neo-Byzantinism. I will be talking about this church quite a bit.
I'd enjoy hearing about the church - it was was being restored and we couldn't go inside. I thought it looked Byzantine, although I couldn't say why, apart from the mosaic on the front.
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