Terror’s potential as a creative source is all but unrecognizable in today’s religious poetry. Many critics would even contend that the genre as such no longer exists (witness Harold Bloom’s fascinating but labored attempt to articulate “the American religion” in his recent anthology). Labels aside, however, it seems clear that past pursuits of “a Discontent / Too exquisite—to tell” (Dickinson) have been replaced by slacker, more self-deprecating pieties. Instead of confronting you with a soul drowning in God, the contemporary religious poem is much more likely to invite you in for a dip.
Friday, February 6, 2009
Terror vs. Embarrassment
An interesting (and cathartic) review in Poetry which takes Christian poets to task for being too diffident and reader-friendly.